Overhead Portrait with Forced Perspective

Create a 1:1 square, ultra-realistic overhead photograph based on the uploaded selfie. The selfie is the sole reference for the person's identity. Preserve the same recognizable adult face, natural facial proportions, skin tone, hairstyle, original expression, visible clothing (including existing prints), and accessories. Naturally complete any unseen trousers and shoes to match the original outfit. CAMERA & ENVIRONMENT Position the camera almost directly above the person, looking vertically downward. The setting is a clean, spacious, light-colored indoor stone floor or outdoor paved surface that matches the aesthetic of the original selfie. Use large paving slabs with only 2–3 thin, widely spaced seams across the entire frame. Each slab should be approximately twice the height of the miniature full-body figure. Keep the stone texture subtle and refined, with no props, plants, or clutter. A distant wall base may appear along the top edge. COMPOSITION & PROPORTIONS Only one person stands slightly below the center of the frame, fully visible from head to toe. The entire figure occupies just 40% of the image height, leaving extensive empty floor space above the head and on both sides. Use extreme wide-angle forced perspective to create an enormous, realistic head and a miniature body. The head, from crown to chin, occupies 75% of the figure's total silhouette height. The shoulder width is only 50% of the head width. Below the head, create an extremely short, narrow torso, miniature arms, perspective-compressed short legs, and two tiny shoes placed close together. The head and body must connect seamlessly. Both arms hang naturally close to the sides. The person tilts their head upward and looks directly toward the elevated camera. Preserve realistic facial anatomy, natural skin texture, and lifelike eyes. Absolutely no cartoon styling or collage effects. LIGHTING & REALISM Use natural lighting, realistic individual hair strands, authentic fabric textures, finely detailed stone surfaces, physically accurate contact shadows, and subtle film grain. The final image must look like a genuine photograph captured with a real camera.